INDONESIA'S REPRESENTATION POLITICS AND NATION BRANDING: AN INTERNATIONAL MEDIA GATEKEEPING STUDY IN THE NEWS OF THE 2021-2024 MANDALIKA MOTOGP
Abstract
Through MotoGP, the Indonesian government seeks to display the image of a country that is modern, advanced in infrastructure, and ready to compete in the organization of international events. However, the process of forming the country's image is not entirely under the control of domestic actors. The international media has a big role as a representation agent and gatekeeper who determines what kind of narrative reaches a global audience. This study aims to examine how international media frames news about the Mandalika MotoGP using the theoretical approach of gatekeeping, politics of representation, and nation branding. Using qualitative methods and content analysis of news from five countries with large MotoGP fan bases (UK, Italy, Spain, Germany, and the US), this study found that Mandalika MotoGP news was more dominated by dualistic representations: on the one hand Indonesia was considered exotic and interesting, but on the other hand it was doubtful in terms of readiness and professionalism. These findings show that in the nation branding strategy, developing countries such as Indonesia still have to face the hegemony of global media narratives.
References
Anholt, S. (2007). Identitas Kompetitif: Manajemen Merek Baru untuk Negara, Kota, dan Wilayah . Palgrave Macmillan.
BBC. (2022). MotoGP Mandalika dan Isu HAM . Diambil dari https://www.bbc.com
BBC. (2022). Rencana MotoGP Indonesia hadapi reaksi keras terkait hak asasi manusia . Diambil dari https://www.bbc.com/
Brand Finance. (2023). Nation Brands 2023: Laporan tahunan tentang merek-merek nasional paling berharga di dunia . https://brandirectory.com
Chitty, N. (2011). Pemetaan nation branding: Sebuah kerangka konseptual . Dalam N. Chitty, L. Ji, & G. Rawnsley (Eds.), Nasionalisme Komersial dan Pariwisata (hlm. 13–33). Routledge.
Choi, S. (2020). Pembingkaian media dan pencitraan negara di belahan bumi selatan: Kasus Indonesia . Jurnal Komunikasi Asia , 30(4), 295–310.
Dinnie, K. (2008). Nation branding: Konsep, isu, praktik . Butterworth-Heinemann.
Fox Sports. (2022). Liputan MotoGP Mandalika mengundang perhatian dengan praktik budaya yang menjadi sorotan .
Fox Sports. (2022). MotoGP Mandalika hadapi kritik soal permukaan lintasan . Diambil dari https://www.foxsports.com/
Glover, L. (2020). Mega Events dan Citra Global: Narasi Media dan Negara Berkembang . Jurnal Studi Media Global , 14(2), 121–139.
Hall, S. (1997). Representasi: Representasi budaya dan praktik penandaan . Sage Publications.
Happer, C., & Philo, G. (2013). Peran Media dalam Konstruksi Kepercayaan Publik dan Perubahan Sosial . Jurnal Psikologi Sosial dan Politik , 1(1), 321–336. https://doi.org/10.5964/jspp.v1i1.96
Human Rights Watch. (2022). Indonesia: Proyek Mandalika dan Penggusuran Masyarakat Adat . Diambil dari https://www.hrw.org
Kementerian Pariwisata dan Ekonomi Kreatif. (2022). MotoGP Mandalika Jadi Etalase Branding Pariwisata Indonesia . https://www.kemenparekraf.go.id
Kementerian PUPR. (2022). Laporan Pembangunan Infrastruktur Sirkuit Mandalika 2021–2022 . Jakarta: PUPR.
Marca. (2022). Dukun hujan mencuri perhatian di GP Mandalika . Diambil dari https://www.marca.com/
Ozkirimli, U., & Yumul, A. (2021). Ketidakadilan Epistemik dalam Media Internasional: Sebuah Pembacaan Pascakolonial . Media, Budaya & Masyarakat , 43(6), 1067–1084.
Reuters. (2022). Dorongan Pariwisata Dibayangi Isu Hak Asasi Manusia di Mandalika, Indonesia . Diperoleh dari https://www.reuters.com
Said, EW (1978). Orientalisme . Pantheon Books.
Shoemaker, PJ, & Vos, TP (2009). Teori gatekeeping . Routledge.
Speedweek. (2023). Masalah aspal menghantui MotoGP Indonesia . Diambil dari https://www.speedweek.com/
UNCTAD. (2023). Media, Soft Power, dan Negara Berkembang: Perspektif Global Selatan . Jenewa: UNCTAD Publications.
UNHRC. (2022). Laporan tentang Perampasan Tanah dan Hak Asasi Manusia di Indonesia . Dewan Hak Asasi Manusia Perserikatan Bangsa-Bangsa.

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Copyright Notice
The Authors submitting a manuscript do so on the understanding that if accepted for publication, copyright of the article shall be assigned to Jurnal Dinamika Global, Department of International Relations, Faculty of Social and Political Science, Universitas Jenderal Achmad Yani as publisher of the journal.
Copyright encompasses rights to reproduce and deliver the article in all form and media, including reprints, photographs, microfilms, and any other similar reproductions, as well as translations.
Jurnal Dinamika Global, Department of International Relations, Faculty of Social and Political Science, Universitas Jenderal Achmad Yani and the Editors make every effort to ensure that no wrong or misleading data, opinions or statements be published in the journal. In any way, the contents of the articles and advertisements published in Jurnal Dinamika Global are the sole and exclusive responsibility of their respective authors